laughhard:

I guess that settles that argument

laughhard:

I guess that settles that argument

(via 24shortcoloredpencils)

radiatorheaven:

Betelgeuse’s resume

radiatorheaven:

Betelgeuse’s resume

(via gothiccharmschool)

shadesofamethyst:

lickystickypickyshe:

The Turkish company Pugedon has recently introduced a vending machine that’s an innovative way to help both the environment and our furry friends. It releases food for the city’s stray dogs and cats every time a plastic bottle is deposited, and it allows people to empty their water bottles for the animals as well.

This wonderful service operates at no charge to the city because the recycled plastic pays for the cost of food. So, with a little financial investment, the simple machines do a lot of good. They provide a steady source of sustenance to the animals, many of which rely on caring residents to regularly feed them. It also encourages people to make a habit of recycling and help conserve our environment for future generations.

Put these everywhere

(Source: mymodernmet.com, via 24shortcoloredpencils)

memeguy-com:

Some signs exist because theyre practical Others have a hell of a story behind them

memeguy-com:

Some signs exist because theyre practical Others have a hell of a story behind them

(via 24shortcoloredpencils)

blacksupervillain:

unamusedsloth:

Nude Portraits series by photographer Trevor Christensen

this is briliant

(via 24shortcoloredpencils)

eschergirls:

lesstitsnass:

It’s a two-fer! Courtesy of @dcwomenkickingass, and specifically this post, I had to do an edit of these, while my storyboards wait. 

I’m not going to go into long explanations here, I hope the drawings do speak for themselves. In the first case, it’s a Land being Land, although I do have to say that he did give a butt to Silk, as opposed to his usual ablation of hips and gluteus maximi. However, he unfortunately did it wrong. 

Artistic anatomy is all about drawing structure, from the inside out. Your muscles by themselves can’t look right if they aren’t placed on top of a properly proportioned skeleton.  Boobs won’t look right if they aren’t drawn as following the curve of the ribcage, its center line, or the movement of the arms which either pull or push on the pectorals on which the breasts hang. The arms back mean the shoulders are lowered, and the angle of the hands will be different since there’s a 3/4 turn on the torso. It shows that Land is drawing by guessed shapes, copied contours and practiced repeated motions. There’s no real structure underneath his shapes.

And if we look at the legs, I can only picture Kitty Pride phasing out of a wall: the legs look like they got mangled up to look like stumps. But even structure-wise, there is no thought put into whether the pose actually works, which is why it looks so clumsy. The legs should be reversed due to the line of action that’s in the torso but not followed through into the pelvis and legs. And I’ve been using the coil technique a lot in order to make my volumes work - it should be obvious by the roughs above - which help me figure out things like foreshortening. 

Silk too was a problem of lack of structure, proportions all over the place, and lack of weight and purpose, but it felt moreso than Spiderwoman. I used the same pose Land did but worked out the skeleton first, using rotation arcs in order to properly proportion the length of the various limbs. I don’t know these characters and I might not have used these poses, but Silk here definitely looks like she’s dancing.

The variant cover by Manara looks like a pose right out of porn, pelvis up and cheeks spread, costume looking like body paint, and it makes me very uncomfortable. She doesn’t look like a superhero about to strike, she looks like she’s about to get… well, it’s a porn pose. This is sexualisation. It also reminds me of the Dog Bone sexy shape. 

So I turned the pose sideways to figure it out, and to see what would work better. The sideways pose as is, as you can see, is angled to do quite the opposite of ass-kicking. Were she to try to leap from that pose, she’d fall flat on her face. The second pose is the “coiled like a spring”, but in the camera angle of the cover, it’s an ugly, ugly pose. So I tried to do something in-between, and just by making the pelvis horizontal and lifting the torso off the ground, I’ve managed to move the center of gravity so her weight is on her feet instead of her knees, she can use her arms to maneuver in most directions, and you still get an interesting body shape to look at. I think this works better, and much more ready to spring into motion.

Wanted also to say thanks for all the reblogs, likes and recent follows! I appreciate each one of them, and it’s because you’re still sharing and commenting that I came back to do this. However I’m still really busy! I won’t be posting a lot, but I do plan on posting more than I have. Back to storyboards for me! 

Great breakdown of both Spider-Woman covers by Kanthara from Less Tits n’ Ass, More Kickin’ Ass (which I strongly recommend as a follow for people who like redlines/redraws/fixes). :D

(via artist-refs)

sketchinetch:

cremebuns:

emeralddragoness:

cremebuns:

A man just walked past me and said “excuse me, but you look very nice tonight darlin” I said thank you and he said you’re welcome and walked off. And that is how you compliment a woman without harassing them

No, that is still unsolicited, and thus, harassment. No amount of “darlins” is gonna make me not want to punch your ass for coming on to me without provocation.

GOD

SHUT UP

UR SO STUPID

image

[x]

(Source: mrssaberhagen, via ramen-no-jutsu)

godtie:

it’s really funny bc like listening to english majors talk about their classes or projects theyre really articulate and they use complex words and stuff and it’s very prestigious sounding and then you listen to science majors and if theyre just talking amongst themselves it sounds more like “yeah i put the compound in the thing and honestly i was hoping for a little boom but all i got was a sizzle i dont know what i did wrong.”

(via liv2luvnluv2liv)